Shot Number
|
Shot Angle/Movement
|
Time
|
Notes
|
1)
|
Close
up of The killer (Kevin) zooming in slowly on his face
|
4s
|
Character
looks distressed, obvious that he is thinking about something
|
2)
|
Screen
flashes to black then 1st person view of Kevin walking down a
street – from his perspective
|
8-9s
|
Kevin
is breathing heavily and looking from left to right, shiftily
|
3)
|
Another
black flash on the screen and the scene jumps to a first person view of Kevin
when he is killing the man (Tyrone)
|
6s
|
Kevin
Lunges at Tyrone, because its first person there is a close up of Tyrone’s
face
|
4)
|
During
the flashback a phone ringing is heard
|
1s
|
|
5)
|
Close
up of Kevin looking down at his phone and picking it up
|
2s
|
Does
so hesitantly
|
6)
|
With
his head in his hands, he answers. Shot of a close up of his face
|
6s
|
Muffled
voice can be hear in the backgroubnd, from the other end of the phone. Kevin
Says, collectively, “I’ll be there soon”
|
7)
|
Kevin
gets up and walks out of frame
|
3s
|
|
8)
|
He
then walk in to frame, opens the door and slams it shut behind him
|
3s
|
|
9)
|
Kevin,
walking down the alley looks behind him (from a 1st person
perspective) and looks at the ground
|
5s
|
|
10)
|
Black
flash on screen and he sees the dead body, in the place that he killed Tyrone
before from the same angle as the previous shots stopped
|
2s
|
|
11)
|
Another
Black Flash and the scene cuts to the present day again with no body on the
floor – again same angle as the previous two shots
|
2s
|
|
12)
|
He
turns around and walks off to the other end of the alley
|
3s
|
|
13)
|
Mid
Shot of Kevin walking out of the Alleyway, behind him a menacing figure
appears out of the shadows and begins to follow him, Kevin walks across the
line of the camera leaving the man behind him
in the centre of shot
|
6s
|
Person
following him is Tyrone and wearing the same clothes as he was when he was
killed
|
14)
|
Long
shot of Kevin emerging from a side road, running across the road and arriving
at location (2)
|
5s
|
|
15)
|
Matching
action of Kevin entering the door
|
2s
|
|
16)
|
Pan
of Kevin after he enters the room to him walking up a flight of stairs
|
4s
|
Nods
at receptionist, shows a sense of familiarity – looks to be in a rush
although
|
17)
|
At
the top of one set of stairs, Kevin runs across the shot while going up and
behind him Tyrone again comes in to shot and walks up the stairs behind him
|
7s
|
Dim
lighting
|
18)
|
Arriving
at the top of the tower, pan of Kevin walking to the night time view of
London seen from the top of Location (3)
|
4s
|
|
19)
|
A
sound behind him makes Kevin jump and turn around, camera follows his gaze
and sees a man, dressed in an overcoat
|
4s
|
Man
looks mysterious, seems to be holding something.
|
20)
|
180
rule while Kevin and the man exchange words – see notes
|
15s
|
Mysterious
man – “You assure me it’s done?” Kevin – “Yes it’s done, I’m sure of it.
There is no way he could have survived that”
|
21)
|
Close
up of the mysterious man’s face. He nods in approval
|
3s
|
|
22)
|
Mid
shot of the two, side on showing the man give Kevin a package. He then walks
out of shot as Kevin puts the package in his inside pocket
|
6s
|
|
23)
|
Kevin
turns back around to the view and looks out over London again.
|
4s
|
|
24)
|
A
shot from over Kevin’s shoulder, showing behind him, Tyrone is approaching
him slowly
|
3s
|
Tense
music starts playing again
|
25)
|
There
is a close up of Tyrone’s hand about to touch Kevin’s shoulder from behind
him
|
5s
|
Tempo
of music increases
|
26)
|
A
loud sound makes Kevin turn around – shows from his perspective that nothing
is there.
|
3s
|
|
27)
|
Quickly
after he turns around the screen cuts to black and the titles come appear
|
3s
+ titles
|
JL
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