Back From Vacation

Back to school from Christmas holidays and ready to start working on the media project again. Filming planned for this weekend as last weekend there were some problems with actors that weren't especially major. We plan to shoot a majority of our film opening this weekend, except some of the shots must be done at a later date as one of the three actors isn't available. Looking forward to it

Research And Planning Conclusion

Using all the data I have compiled from questionnaires, vox pops, and various internet research I feel that me and my partner have successfully developed a plan for our film opening which will cater to our target audience while still enticing people in smaller, niche markets which will increase sales and hype around our eventual film. The filming will be done at various points from the Christmas holidays to the first couple of weeks back, leaving us plenty of time to edit on Final Cut Pro.

The skills we have learnt from things such as our preliminary task, the filming of "The Package" And that of our short clip about a nightmare parents evening will all help in the production of our final product 'Existence', highlighting things we must remember about sound, lighting and different camera angles. Within Final Cut, a wide range of effects such as blurs, sound effects, noise gates and various other things will enhance the way our film seems and set us apart from the rest. 

In terms of actual filming, we will be using clapper boards, directional microphones, microtracks, an HD camera, a tripod, and battery lights. This wide range of equipment can help us obtain the quality we are ultimately looking for. When filming, we will take extra shots as fillers so we aren't constrained to one sequence of shots, especially seeing as they may not work as well together as we would wish. 

Finally, when on location all aspects of planning will be used in order to decide lighting, the tone and the mood of the film being sure to cater to our target audience. 

JL

Actor - Kevin

The actor we have got for Kevin is Barney, another friend of our and this time an actual actor. With Kevin, the need for someone who can actually act is necessary in order to show his fragmented mind and brings in the idea of the psychological. If the role wasn't played well, not only would it make the film look bad but defeat the purpose of having the whole film about tone. Doing drama A level, Max can adapt to any situation given to him with a lower class, insane Hitman being a walk in the park. The style of clothing and look we wanted to give Kevin can be reflected in Max due to what we dress him in, the way we take shots of his face and the way in which he talks. He must look confident, at points (Such as when meeting his boss) yet switch to moments of distress (during the flashback) in moments and because of this we chose Barney. A photo can be seen below of the character, not wearing what we want him to but still showing what he could look like.

JL

Actor - Tyrone

For the role of our pursuer, and main antagonist, we have chosen our friend David. He is tall, well built and can have the effect of portraying a menacing figure which is perfect for our film. In the alley-way scene, and after he will be wearing all black with his face partly covered up showing his mysterious and threatening nature. Although not an actor, with no lines and a mainly visuale role to play his looks matter most, being he reason we chose him. Again, like the actor we chose for Kevin's Boss, he is readily available over the Christmas holidays and when we come back, meaning early filming can take place. Photos shown below show his stature and how he could end up working in the actual film opening.

JL

Actor - Kevin's Boss

Kevin's Boss

Kevin's boss will never actually be seen in full light. The scene at the top of the tower, which occurs towards the end of the opening. His face will be in shadow and fitted out in high quality, smart clothing. Because of this, the age of the actor doesn't need to fit with that of the character as long as he sounds old and can pull off the look, it will work. Because of this, we have chosen our friend Michael Hajiontonis for the role due to his range of voice. The photo below shows him in clothing not dissimilar  to what he will be wearing in the film (see Kevin's Character post). He lives relatively close to us and is free all winter, meaning we can get filming done before the return back from school.

JL

Script

The only times in which speech is used within the opening to our film is at the very start, where he answers the phone and then on top of the tower where Kevin's boss hands over the money for taking out the hit. In the first instance, we saw keeping it short and sweet the best;

Kevin: [Answers Phone] Hello? Who is it?
Boss: [muffled voice, at the other end of the phone line] Meet me at the top of the tower at 8.
[Phone line goes flat]

We saw this as important, the boss' lack of an introduction highlights his importance and how well known he is to Kevin. In terms of the second occurence of speech, A juxtaposition between the distress Kevin was feeling in the hotel room scene and his confident attitude when talking to his Boss should be shown in order to portray his fragmented psychosis.

[Kevin is Looking out the window over the view of London. His Boss enters up the stairs behind him and Kevin turns around and acknowledges him with a nod. Neither character are fully visible]
Kevin: Boss, its done, There is no way he could have survived that.
Boss: Good. Ill be in touch. Until then, don't fuck up. [Hands package over to Kevin]

JL and JR

Filming Schedule

Location: 

Alleyway/Road (Location 1 Post)
Date: 19th December - 8th Jan 2014
Actors Required: Tyrone and Kevin (Actors TBD) + P.O.V shots
Notes: The P.O.V Shots, not requiring any actors apart from Tyrone are going to be done over Christmas as they can be done quickly and well, with multiple different takes in case we need an alternative shot (First idea doesn't work etc.)

Tower + Elevator (Location 2 Post)
Date: 8th Jan -
Actors Required: Tyrone, Kevin and Kevin's boss (Michael + Actors TBD)
Notes: The night which we choose must be clear and the shot will be taken at twilight. Being January, we only have a short time to take the shot so multiple days may be needed in order to get the take done well. Also, It is while we are back at school so all of the actors are easily accessed after school etc.

Kevin in the Hotel (Location 3 Post)
Date: No set date has been allocated, with only 1 actor needed and the majority of the atmosphere in the scene coming from Effects such as the phone ringing at the right time and voice over the phone, it can be done quickly meaning more time can be spent focusing on editing.

JL

Style and Tone Research - Shutter Island

Style and Tone Research

Shutter island, having been already analysed in a previous post is a film about Teddy Daniels (Leonardo DiCaprio) and his psychological battle to try and obtain sanity - having been sent to an state jail located on an isolated island. Some shots in the film allow us to gage Teddy's personality and to what extent he has a fragmented personality. The shot seen to the right, an establishing, fixed shot is essential in seeing his deteriation in mental health from the start of the film to the end, where he is seen holding a match in front of his face, wearing prisoner clothes.  In the shot seen above, the focus of the camera is on Teddy, with everything around him blurred. The presence of a police officer is the background allows us to set the scene, with the obviously artificial lighting helping build the atmosphere. Compared to our film, this shot is very similar to the first shot in ours, with the zoom in to Kevins face. We figured we could take the idea of a blurred background and transpose it to our film, helping to build the same atmosphere as Shutter Island at this point.

As mentioned above, this shot helps us to see the mental and physical deteriation of the main character. The use of the mid - close shot with the blurred background again allows us to focus on Teddy and analyse his looks, without being distracted by the background. The dark lighting with the only thing illuminating his face being a match allows us to paint the picture of the fragmented personality. The image shown below right is referring to a dream Teddy has, where he sees his dead wife only for her to dissapear leaving nothing but blood in the room. Rather obviously, these are not normal dreams to have. The shot itsself takes place in a dessolated place, seemingly the couples old house. The fading away of his wifes body represents the fading of his sanity and the effect of his pass on him.

Overall, in Shutter Island the use of lighting is the main way in which style and tone is portrayed. The usually dark or isolated imagery are essential in showing us the workings of Teddy's mind, especially his fragmented personality and mental deteriation through the film.

JL

Representation

Gender

Masculinity vs Femininity - In the actual opening of our film, we do not have the presence of a female character. Later in the film however there will definitely be the introduction of a partner for the main character, Kevin, however this is not seen in the opening. The idea of gender equality however can't be seen because of this, however the idea of where a male should be in society can be. The three male characters in the opening are all in different parts of the community. The boss, in a position of power, Kevin in a vulnerable position and the pursuer in the working class. This shows that it is not always males in high up positions, unlike many other films of a similar genre. The world we are representing is that of a dimly lit area in London surrounding by housing estates and tacky shops, leading to the atmosphere which is created within the film. Due to this however, the place is not isolated due to an abundance of buses, taxi's and trains however it does give the idea of isolation within the class system, being trapped and the only way out is to make money. This leads on to the social circumstances, which are not as well represented as character. All of the characters have shady job,s one killing someone for money and the other ordering out the hits - This would be another reason why the film would be rated 15 (as seen in citification post) Due to influential younger members of the audience taking ideas from watching the film.

Axes Of Identity

Within the opening to our film, the age of the character usually represents how much power they have due to Kevin's boss being older than him, and Tyrone being younger. The lack of a female character within the opening however doesn't allow relationships to be formed within the opening, apart from implications that could be made with photos in the background or various things around the house. Cultural background and disability are again void within the opening, however implications that Kevin is a working class citizen is shown due to his surroundings in London and accent. A multitude of the details about the opening, much like Fight Club and Identity, are implicit and would make more sense after watching the whole film. The only explicit things are the roles of the different characters.

Ideology

The ideology behind the film is that there is a man who is struggling for money as he is staying in a B&B and he has little money. This is associated with The character of Kevin having to kill a man for money. The opening of this film would suggest that this is the first time that Kevin has performed an act  of Murder for money as he is going out of his mind having killed. The way that I would like the character of Kevin to come across to the audience would be to show that Kevin is an ordinary everyday man living in London caught in a struggle for money. Kevin turns to his boss to kill a man for money and his boss meets up with Kevin in the opening of the film to hand him the money. Kevin is going insane because of the killing and he seems to think that the victim who he killed is following him and is haunting Kevin.

JL

Final Ident Plans

JJ Star Productions

The idea for the actual logo came from my partner, with both our first name beginnning with J. The initial design (see below) was done on paper, with the studio of the logo already in mind. The original idea was that the two J's come from either side of the screen and meet in the middle, causing sparks. The star would then fade in from black on the space background shown below. The space background we are going to use (And eventually edit in motion, for animation) is a copyright free image taken from google images - and its use acknowledged. The reflection of the word "Productions" in our logo along with the different colour ways were the idea of my partner, with both white and both black not having the same appeal as the mixture of the two. We thought the black made the white stand out, and vice versa. The use of black and white was chosen in order to look retro, and also complimented the background - making it stand out while keeping the main logo looking professional.

JL

Ident Studio and Design Plans

In terms of the Ident relating to the type of film we are making, the suspenseful and mysterious nature of the background compared to the retro and clean look of the logo show that we have an original idea but wish to take a new spin on things and give it a side which people haven't seen before. Inspirations are taken from Lionsgate suspenseful and clean logo with a natural background and Paramount, concerning the same things.

Previous versions of the Ident and ideas for it are shown below - With different backdrops, text styles and ideas for the studio. The name was fixed from the start however. The metal texture which we eventually used on the white part of the logo is also shown.

JL

Ident Research

Lionsgate


This is the ident for the famous Lionsgate production company. This is the famous ident which was famous to start before the Saw film series. The way that this ident is put together is very clever as the clogs turning through the key hole and all inside a big gate, linking to the name and logo of Lionsgate.

Warner Bros.



This is the ident for Warner Bros. film production company. This ident is very famous linking to the Looney Toons franchise. The ident is made up of a gold shield where the letters of W and B as shown together and a band like gold material displays the name around the shield. The beginning of the ident displays some factories or building of some sort shining in reflection on the gold shield when the motion of the shield moves and displays the whole logo.

20th Century Fox



This is the famous ident of 20th Century fox film production company. 20th Century Fox are famous for recent films such as; The Internship, Life of Pi and the latest X-Men-Wolverine film. 20th Century Fox has also been famous for the production of the highly interested, 'The Simpsons' franchise.

Paramount



This ident shows the Paramount Pictures production company's logo and motion intro. this is shown at the beginning of the film being shown along with all the other idents and logos shown above. Paramount Pictures are well known for the recent films such as; Iron Man 3, World War Z and Star Trek-Into Darkness.

JR

Titles Test

This is a short clip showing how the titles may visualise in the opening scene of my partner and I's film. The titles on our clip will be shown at the end of the opening scene where the camera shots will be short 2-3 second long close up images being everyday pictures. For example, a table where subsequently a knife is placed down which is connected to a killing, where the victim is stabbed. The camera shots will be created using short and far focus to suggest a more atmospheric opening title sequence. The title and producers, etc. will be displayed as demonstrated in this short clip below.

These are the photos showing how the titles will look with the pictures in the background. The first picture shows the focus and look of a shot where just a plain table is in sight. The second photo shows how the Knife will look on the table being placed in shot (shown as pen). The use of short and far focus will make a good looking image.

In the majority of mainstream films, the titles at the start appear in order of the importance of the actor; with the main actor and main character coming first with other leading actors afterwards. This will be reflected in ours with Barney, David and Michael' names appearing first followed by the producers. The title will come at the end of the opening, when the meeting with Kevin's boss finishes. The film will be called 'Existence' - and a preview of what the title will look like can be seen in the Titles Planning post.





JR + JL

Film Title Planning + Some Graphics

Many of the films of a similar genre have names which are short, catchy and suggest something about the mind or psychological. Many are only one word long - Examples being:

• Identity
• Seven
• Fracture
• Flatliners
• Unbreakable

And many others. Some however take a title which gives a better idea of the film - such examples include 'Fight Club' - looking at the film in retrospect one sees it as not only the literal fight club in which they indulge but also the fight between the main character and his split personality. Similarly, In 'A Beautiful Mind' the title suggests the complexities of a mind which can create split personalities and cause different views on things. Again, the complexities and beauty of the mind is shown in the title of 'The Sixth Sense', implying a heightened sensibility and knowledge. Many films however take inspiration for their title from events that occur later in the film - From 'What Lies Below' to 'The ninth Gate'.

From these findings we can take that the title of our film should follow the pattern, as countless films before us can't be wrong as to what works as a title. In terms of the one word approach, a synonym of something like fracture we found would work the best - Such examples include;

• Rift
• Splinter (Already Taken)
• Breach
• Schism

None of these possible titles however have the same catchy and sinister tone as the ones mentioned at first however, leading us to ponder over the use of the title 'Existence'. Not only does this suggest the struggle for sanity but also plays on the idea of Kevin being haunted/pursued by Tyrone's ghost - whether this is his physical form or a psychological state which Kevin is in.

Taking the idea of the title being 'Existence', this then brings up the question as to how it is going to look in the film and on the title poster (usually both the same). Again taking inspiration from previous films of the same genre, the norm is to have either a very plain title which emphasises the name of the film, or a faded and horror styled font such as True Lies (True Lies Font Download) which sets the tone of the film. In the poster of Psycho, one can see the crack going through the centre of the text shows the fragmented nature of the 'Psycho'. Similarly, in 'The Haunting' the title takes a traditionally Gothic font and background.


Finally, in terms of the structure of various films titles and opening scenes, especially within the Psychological thriller genre, the credits appear during the opening scene in order for the action to commence straight away. It also contextualises the names and from the first second you can guess what sort of a film you are going to be watching. Examples of such title sequences are Memento (shown below) and Seven (also Shown Below). We see our opening as a possibility to embed the titles like the bottom two do, with the black flashes showing the actors names with the producers names (us) and production company placed throughout the opening.

JL

Titles Research

Seven

This is the opening titles for the film of Seven. The opening is very dark, and mysterious whilst being slight strange. The Title consists of small blades and someone shredding the skin of the end of his fingertips, and sewing together sheets of paper. This is a quite weird but interesting opening and certainly asks questions in the audience.

It Might Get Loud
















This is The opening titles for the film This Might Get loud. The use of short and close focus is what interest me most about this opening titles sequence. The use of close up shots of the guitars is also what inspires me about this opening.

Red Lights

This is the opening title sequence for the film called Red lights. The use of Shadow and light and dark is used very well in this opening sequence. The faded focus also is a good way in which this sequence is put together. The close up shots with faded zooms and focus are what i want to add to my title sequence at the end of the opening scene.

My opening scene would be made up of short shots in which have close up shots of everyday objects which have a twist to them, so say there is a close up of a table with close zoom and then a blooded knife is placed on the table. The titles would fade in on the shots with the Credits. The shots would only be about 2-3 seconds long and to merge the shots they would slowly fade in and out.

JR

Certification

Certification

The certification we choose for our film is a 15. This is because we see it as containing strong violence, not so much in the opening but planned to be later in the film - and "Frequent use of strong language" which both come under the bbfc 15 rating. Also, the idea of a lack of moral compass is essential in how we decided what we were going to rate our film. The point of our film is to create suspense and an attachment with the main character, who takes hits out on people to gain money. Because of this, younger more influential people could take violence to be seen as a good thing and as such give off the wrong idea about what is deemed acceptable. Going off of this point, the Official BBFC website states that "Easily accessible weapons must not be glamourised", because of this (With the knife in the opening scene) we can't pay much attention to it and must make it understated. Within the rest of the film, uses of guns or other weapons could be used but none as easily accessible as the knife. The language used must not also be used in a threatening way when coupled with its frequent use, and as such must just be used in times of panic or distress. A complete lack of sexuality within the film also helps.

Compared to 18 films however, our film doesn't focus on the violent and urban features of the films but more the psychological and the mood. Because of this, the "Strong blood and gore" and "very strong violence" are not relevant. It also states that "Dwelling on the infliction of pain or injury" which like mentioned before, we do not want our film to be about. Our film definitely rises above the boundaries of 12 and 12A however, which don't allow dwelling on the sight of blood or killing, with a definate lack of gore. We see in our film this lack of blood would defeat the realism we wish to create and actually put audiences off, especially as the focus of the film is to create an atmosphere that's as realistic as possible.

JL

Storyboard

Storyboard - Cinematic

We took the images we have made from our storyboards and turned it into a cinematic using Sony Vegas 11 and Final cut pro. Although combining a lot of shots, and having a couple missing out it gives the general idea of what our film is going to look like, with the inclusion of text and sounds when they are needed.

The music is the final music we are going to use - with my friend having made it (spoken about it in the post about sound and soundtrack) with the speech just there in order to show where it is planned on coming in.

JL

Film Production

 Film Production Booklet

1 

• Angelina Jolie
• Family relations - Married to Brad Pitt 
• Well-known actress 
• Because of this she will induce a large target audience, especially due to her mix in film genre's from romance (Mr and Mrs Smith) to action and adventure (Salt and Tomb Raider)
• She would be one of the main attractions of the film, due to not only her acting skills but here looks - Male audience? 
• Previously an Oscar winning actress as well as winning multiple awards for various appearances in well known and profitable films.

2

• I was told to go and see Fight Club via word of mouth, although having seen it before the film provided enjoyment not many others could. Another, for Media homework was to watch Identity. I actually really enjoyed it, especially seeing as I wouldn't have watched it if I was recommended it.
• The word of mouth technique works in reverse however, Elysium is a film I was planning on seeing but recently I have been told by a few people that it wasn't very good - unrealistic and o development on character. This really let me down and actually made me not want to see the film.
• The most recent film I saw at the cinema was actually Thor 2, purely because me and some friends wanted a mindless action film to go to. Marketed as nothing but a pure action film was the reason I went to see it.

3

•  1. Paranormal Activity - $15,000 budget - $107,917,283 profit at Box office (USA) 
•  2. Blair Witch Project - $60,000 budget - £14,901,157 profit at box office (UK)
•  3. Avatar - $237,000,000 budget - $760,505,847 profit at box office (USA) 

4

• The Kings speech - $15,000,000 budget. Producers: Momentum Pictures, Weinstein Company, The UK film council
• Never let me go - $15,000,000 budget. Producers: DNA films, Film4 and Fox searchlight pictures. 
• Skyfall - $150,000,000 - $200,000,000 budget. Producers: Eon Productions and Danjaq.
• The financial backing that the films have are nowhere near the Americans. This is why the majority of films are produced in Hollywood with British actors, producers and editing teams. 
• There has been a rise in multinational producers since British films of the 1990's such as Momentum and Danjaq (In Kings Speech and Skyfall respectively).

5

• The 28 Days Later soundtrack has become iconic within the film industry. It has been used in multiple TV shows since its release in the influential horror film and has actually become popular as a song for people to listen to. It is the inspiration to a lot of recent music for the Thriller/Horror film genre. The use of synthetic FX and electric guitar gives it the sound of a mainstream song while still being able to be used in films.
• Not only in film, but also game music has been very influential and popular within audiences. The Soundtrack to the massively popular game L.A Noire has become popular and even having one of the tracks making it in to the iTunes charts. The typical Noire type music, with the smooth Jazz and the tense atmosphere is easy listening and actually gained the game popularity.

6 

• The main way in which Lionsgate have survived in the "Cut-throat world of film" is by their production of very popular horror series, one of which ha a colt behind it. Saw and Hostel and both unbelievably popular films in terms of their profit and their audience attendances - even if it is generalised to a specific audience. They do not only produce mindless horror however, their film portfolio is actually incredibly diverse and powerful. Films such as Precious, The hurt Locker, Juno and The Cove and all massively inspirational, real life dramas. Affiliating themselves with such films are essential in their survival and actually improve the quality of their image greatly. Finally, affiliations with other big names in other forms of entertainment, such as books. The Hunger games is currently their biggest expenditure, being based on a book trilogy which sold over 50 million copied in the USA alone.

Sound, Soundtrack and Ambient Noises

Soundtrack

The soundtrack we wish to use in our film must be suspenseful, and not of a high tempo. Something along the lines of the start of 28 days later, with he piano and quit yet rhythmic acoustic then electric guitar, accompanying the dark and rather bleak setting in which the opening to our film starts off. Another example of theme music which replicates this tone is that of the music style constantly occurring through Fight Club. The very dark, dismal tone which suggests darkness replicates the film we wish to produce and actually helps the way the audience view the film. We do not want the film to have a happy beginning, nor do we want it to be too dark. This will both draw the audience's attention away from the bleak, and slightly inactive start to the film and more towards the nature of the psychological - hence to references to music in 28 Days Later and Fight Club. Both Tracks can be found below.

Link To 28 Days Later Theme
Link to fight Club Full Soundtrack

Alternatively we could take the idea of the film "Angels" and create a loud, yet mysterious beat without the vocals, but with humming. This has an added dimension and because of this can create a similar, yet slightly different tone to our opening. The synth used within the track also helps to create the atmosphere we desire to create, fitting perfectly with the occurrences in the film.

Link To Angels Theme

Due to the requirement of not using Copyright music however, what we have decided we must do is look to music streaming sites such as Soundcloud and look for permission from the creators. If we do this however, film music (especially suspenseful film music) isn't a popular genre. One which suprisingly comes close to it is that of Trap music, and luckily enough I have a friend that is actually a reasonably big beat Trap beat Producer in Finland. His Soundcloud profile will be linked below, along with the song that we are going to end up using in the film - a deep and ambient trap beat resembling that of youtube beat producer Solitude (link below) - the low, deep and ambient noise really reflects our films atmosphere and although sets a very negative tone also resembles that of Fight Club, and The Darkest Child by Kevin MacLeod (link also below.)

Link To AXELDOE's Soundcloud (Friend)
Link to Darkest Child Soundtrack
Solitude Trap beat

Ambient Noise 

In terms of ambient noise within the film - the majority of the first minute and takes place by a road side in the middle of quite a built up district. Because of this sounds of cars and passers by are going to be prominent, meaning that a lot of added noises are going to have to be used. The ringing of a mobile phone to break up the second flashback is also important as it must be surprising enough to the audience, yet still maintain the atmosphere and not beak the mood due to what occurs after the phone rings. For this, sounds which are found in Final Cut should do fine. The other way in which ambient noise must be used is by the other persons voice on the phone. Me and my partner wish it to have a muffled and undefined tone, yet still audible to the audience. To do this we are going to record it separately and overlay it in the film, allowing us to sync it perfectly and also maintain the mood in which we want to obtain. 

With the film being of the psychological nature, everything to do with sound must maintain this. The tone and atmosphere produced by the music and various FX must accompany the events within the film naturally and not sound out of place. Maintaing the suspense is key in order for our film to work, and we see sound as the best way to do this. Voices should be kept clear (with exception to that already mentioned) - sound should be kept quiet but always constant with the loudest thing being the soundtrack - except for when speech takes place. 

JL

Sound Practice

In the making of our clip about a "Nightmare parents evening", we learnt how to use the directional microphones, cutting and importing sound tracks from the microtrack linked to the boom pole. With relation to our film, these are very much necessary due to the exchange in speech at the top of the tower. The importance of where the boom pole and mic is in relation to the actor can't be understated and is essential in understanding what he/she is saying and creating the atmosphere we wish to obtain. During the making of the short clip we had some problems, with the microphone echoing and with some static in the background. This was overcome however through the sound effects in final cut, especially the one called "Car Radio" which reduced all external noise.

 

Shot List

Shot Number	Shot Angle/Movement	Time	Notes
1)	Close up of The killer (Kevin) zooming in slowly on his face	4s	Character looks distressed, obvious that he is thinking about something
2)	Screen flashes to black then 1st person view of Kevin walking down a street – from his perspective	8-9s	Kevin is breathing heavily and looking from left to right, shiftily
3)	Another black flash on the screen and the scene jumps to a first person view of Kevin when he is killing the man (Tyrone)	6s	Kevin Lunges at Tyrone, because its first person there is a close up of Tyrone’s face
4)	During the flashback a phone ringing is heard	1s
5)	Close up of Kevin looking down at his phone and picking it up	2s	Does so hesitantly
6)	With his head in his hands, he answers. Shot of a close up of his face	6s	Muffled voice can be hear in the backgroubnd, from the other end of the phone. Kevin Says, collectively, “I’ll be there soon”
7)	Kevin gets up and walks out of frame	3s
8)	He then walk in to frame, opens the door and slams it shut behind him	3s
9)	Kevin, walking down the alley looks behind him (from a 1st person perspective) and looks at the ground	5s
10)	Black flash on screen and he sees the dead body, in the place that he killed Tyrone before from the same angle as the previous shots stopped	2s
11)	Another Black Flash and the scene cuts to the present day again with no body on the floor – again same angle as the previous two shots	2s
12)	He turns around and walks off to the other end of the alley	3s
13)	Mid Shot of Kevin walking out of the Alleyway, behind him a menacing figure appears out of the shadows and begins to follow him, Kevin walks across the line of the camera leaving the man behind him  in the centre of shot	6s	Person following him is Tyrone and wearing the same clothes as he was when he was killed
14)	Long shot of Kevin emerging from a side road, running across the road and arriving at location (2)	5s
15)	Matching action of Kevin entering the door	2s
16)	Pan of Kevin after he enters the room to him walking up a flight of stairs	4s	Nods at receptionist, shows a sense of familiarity – looks to be in a rush although
17)	At the top of one set of stairs, Kevin runs across the shot while going up and behind him Tyrone again comes in to shot and walks up the stairs behind him	7s	Dim lighting
18)	Arriving at the top of the tower, pan of Kevin walking to the night time view of London seen from the top of Location (3)	4s
19)	A sound behind him makes Kevin jump and turn around, camera follows his gaze and sees a man, dressed in an overcoat	4s	Man looks mysterious, seems to be holding something.
20)	180 rule while Kevin and the man exchange words – see notes	15s	Mysterious man – “You assure me it’s done?” Kevin – “Yes it’s done, I’m sure of it. There is no way he could have survived that”
21)	Close up of the mysterious man’s face. He nods in approval	3s
22)	Mid shot of the two, side on showing the man give Kevin a package. He then walks out of shot as Kevin puts the package in his inside pocket	6s
23)	Kevin turns back around to the view and looks out over London again.	4s
24)	A shot from over Kevin’s shoulder, showing behind him, Tyrone is approaching him slowly	3s	Tense music starts playing again
25)	There is a close up of Tyrone’s hand about to touch Kevin’s shoulder from behind him	5s	Tempo of music increases
26)	A loud sound makes Kevin turn around – shows from his perspective that nothing is there.	3s
27)	Quickly after he turns around the screen cuts to black and the titles come appear	3s + titles

JL